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The Author's Due offers an institutional and cultural history of books, the book trade, and the bibliographic ego. Joseph Loewenstein traces the emergence of possessive authorship from the establishment of a printing industry in England to the passage of the 1710 Statute of Anne, which provided the legal underpinnings for modern copyright. Along the way he demonstrates that the culture of books, including the idea of the author, is intimately tied to the practical trade of publishing those books. As Loewenstein shows, copyright is a form of monopoly that developed alongside a range of related protections such as commercial trusts, manufacturing patents, and censorship, and cannot be understood apart from them. The regulation of the press pitted competing interests and rival monopolistic structures against one another-guildmembers and nonprofessionals, printers and booksellers, authors and publishers. These struggles, in turn, crucially shaped the literary and intellectual practices of early modern authors, as well as early capitalist economic organization. With its probing look at the origins of modern copyright, The Author's Due will prove to be a watershed for historians, literary critics, and legal scholars alike.

655.4:347.78 --- Authorship --- -Book industries and trade --- -Copyright --- -English literature --- -Intellectual property --- -Printing --- -Printing industry --- -347.78 <09> --- Manufacturing industries --- Printing, Practical --- Typography --- Graphic arts --- Intellectual property --- IP (Intellectual property) --- Proprietary rights --- Rights, Proprietary --- Intangible property --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Copyright --- Literary property --- Property, Literary --- Anti-copyright movement --- Authors and publishers --- Book registration, National --- Patent laws and legislation --- Book trade --- Cultural industries --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Uitgeverij. Boekhandel--algemeen-:-Auteursrecht --- History --- Law and legislation --- -History --- History and criticism --- Auteursrecht--Geschiedenis van ... --- Book industries and trade --- English literature --- Printing industry --- Printing --- History. --- History and criticism. --- Authorship -- History. --- Book industries and trade. --- Book industries and trade -- England -- History. --- Book industries and trade -- Law and legislation -- England -- History. --- Copyright -- England -- History. --- England. --- Intellectual property -- England -- History. --- Law and legislation. --- Printing. --- Printing -- England -- History. --- Printing industry -- Law and legislation -- England -- History. --- Book Studies & Arts --- Education --- Social Sciences --- 347.78 <09> Auteursrecht--Geschiedenis van ... --- 347.78 <09> --- Law and legislation&delete& --- Auteursrecht--Geschiedenis van .. --- Auteursrecht--Geschiedenis van --- printing, copyright, plagiarism, intellectual property, piracy, publishing, literature, law, history, nonfiction, possessive authorship, statute of anne, books, author, capitalism, booksellers, competition, press, regulation, censorship, manufacturing patents, commercial trusts, protection, monopoly, guild structure, book trade, john wolfe, intervention, genius, wise forgeries, reproduction, international, shakespeare. --- Droit d'auteur --- Propriete intellectuelle --- Art d'ecrire --- Litterature anglaise --- Livres --- Imprimerie --- Industries graphiques --- Angleterre --- Histoire --- 1500-1700 --- Histoire et critique --- Industrie et commerce --- Droit --- Legislation

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Understanding Open Access provides a scholarly author-oriented look at the ins and outs of open access publishing. The guide addresses common concerns about what "open access" means, how institutional open access requirements work, and why authors might consider making their work openly accessible online. Our aim is to provide real-life strategies and tools that authors can use to work with publishers, institutions, and funders to make their works available on the terms most consistent with their dissemination goals.

Open access publishing --- Encyclopaedias & reference works

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This book covers the life and work of a wide range of writers from Coleridge to Wollstonecraft, Hemans, Beckford and their contemporaries. Also encompassing a wealth of material on contexts from the treason trials of 1794 to the coming of gas-light to the London stage in 1817, it provides a panorama of one of the richest periods in British culture.

English literature --- Romanticism --- Literature and society --- English --- Languages & Literatures --- English Literature --- History --- Pseudo-romanticism --- Romanticism in literature --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Aesthetics --- Fiction --- Literary movements --- Fiction. --- Poetry. --- Literature-History and criticism. --- British literature. --- Literature, Modern-18th century. --- Poetry and Poetics. --- Literary History. --- British and Irish Literature. --- Eighteenth-Century Literature. --- Poems --- Poetry --- Verses (Poetry) --- Literature --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- Philosophy --- Literature—History and criticism. --- Literature, Modern—18th century.

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This study engages in a detailed examination of Kierkegaard's works of literary and dramatic criticism, including those works directed at interpreting Kierkegaard's own authorship, with a specific concern for both what Kierkegaard and Kierkegaard's anonyms and pseudonyms write about the nature and practice of authorship, as well as how the Kierkegaardian authors practice authorship themselves. Moving through five chapters, each devoted to one or more works of Kierkegaard's criticism, the study develops a new approach to reading Kierkegaard - a new Kierkegaardian hermeneutic - that begins always with the character of the author. This new approach avoids the challenges of critics of biographical criticism, such as Roland Barthes, Michel Foucault, and Jacques Derrida, by positing the author always as a work of fiction him- or herself, the creation of an unknown and ever anonymous "author of the author".

Philosophy, Modern. --- Modern philosophy --- Kierkegaard, Søren, --- Kierkegaard, Søren --- Anti-climacus --- H. H. --- Authorship. --- Anonyms and pseudonyms. --- Anti-Climacus, --- Bogbinder, Hilarius, --- Chʻi-kʻo-kuo, --- Climacus, Johannes, --- Constantius, Constantin, --- Eremita, Victor, --- Haufniensis, Vigilius, --- Johannes, Climacus, --- Johannes de Silentio, --- Kʹerkegor, Seren, --- Kierkegaard, S. --- Kierkegaard, Severino, --- Kierkegaard, Søren Aabye, --- K'i︠e︡rkegor, Sʹoren, --- Kīrkajūrd, Sūrīn, --- Kirkegaard, Soeren, --- Kirkegor, Seren, --- Ḳirḳegor, Sern, --- Kirkegors, Sērens, --- Kirukegōru, Søren, --- Kjerkegor, Seren, --- Kʻo-erh-kʻai-ko-erh, --- Notabene, Nicolaus, --- Silentio, Johannes de, --- Sūrīn Kīrkajūrd, --- Victor, Eremita, --- Vigilius, Haufniensis, --- קירקגור, סרן --- קירקגור, סורן --- קירקגור, סירן --- קירקגור, סירן, --- קירקגורד, סרן, --- 克尓凯郭尓, --- Criticism. --- Kierkegaard, Søren (1813-1855). --- Performance (Literary). --- Perspective/Point of view (Literary).